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Both shows were released at the theatre of the CAOS GROUP, in the city of Bahía Blanca, Buenos Aires, Argentina, June, 2000.
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It has to do with a collective work of creation that gathers the results of an experimentation with the actors of the company. These experiments rank from catastrophe writing to the self-biographical attempt, through unusual landscapes such as the theory of chaos explained at a parents' meeting in a kindergarten, the fascinating topic of interrupted vegetable and garden crop clonation, a handful of slides that a policeman and his wife have taken in Havana during their vacations, a brief but deeply-felt eulogy of failure as a strange attractor in sports, an obscene incursion into a help desk of an Internet server, and a general overview of the intimate life of airport signal men, among many other topics of general interest.
The independent group Caos (formed by actors and dancers of the city of Bahía Blanca) has worked on this occasion under the coordination of Rafael Spregelburd in the dramaturgy and the singular misce-en-scene.