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Stagings |
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Los
días felices de Prometeo (Prometheus’
happy days),
on Esquilo and Samuel Beckett (1989)
Alcestes
by Euripides (1989) Rey
Lear
(King Lear) by William Shakespeare in the Teatro General San Martin of
the city of Buenos Aires under the direction of Laura Yusem (1989).
Algunos
episodios de la vida de Bartleby. Un escribiente (Some
episodes of the life of Bartleby. A clerk)
,
based on Herman Melville's story (1990/91).
Abasto.
Teatro del Horror
(Abasto. Horror Theatre) (1991)
Lara:
ayer sońé con muerte
(Lara: yesterday I dreamed with death) (1992)
Potpourri
violento. Y muy pronto fue demasiado tarde. Desde Kurt Weill un viaje en nueve
estaciones.
(Violent Potpourri. And very soon it was too late. From Kurt Weill a trip in
nine stations.) (1993) Kurt
Weill. Berlin. Postales en sombra
(Kurt Weill. Berlin. Postcards in shade) (1994/99) Máquina
Hamlet
(Hamletmaschine) by Heiner Müller (El Periférico de Objetos), show that
has taken part in: 13 Internationales Sommer Theater Festival Hamburg, XI
Festival Internacional de Teatro de Caracas, Festival du Thęatre Ibéro et
Latin Américain - Bayonne (France), Festival Iberoamericano de Cadiz - Cádiz
(Spain), Festival de Otońo en Madrid, Festival d' Autunno di Roma,
KunstenFESTIVALdes Arts - Brussels, International Season of the Thęatre de la
Bastille - Paris, Festival Turbulences - Strasbourg, Festival Cervantino -
Guanajuato (Mexico), Festival d'Avignon, Next Wave Festival at the Brooklyn
Academy of Music – New York, among others (1995/2000).
Circonegro
(Blackcircus) by Daniel Veronese (El Periférico de Objetos) in the
Teatro Nacional Cervantes of the city of Buenos Aires (1996).
Cámara
Gesell
(Gesell Chamber) by Daniel Veronese (El Periférico de Objetos)
Presentations at the International Puppet Festival of New York, organized by the
Jim Henson Foundation (1997). Un
cuento alemán
by Alejandro Tantanian, co production of the Teatro San Martin of the city of
Buenos Aires, the Fondo Nacional de las Artes and the Fundación Antorchas;
invited to participate of the New Argentine Dramaturgy meeting at Casa de América,
Madrid (1997/99). Zooedipous
by El Periférico de Objetos, on Oedipous Rex by Sophocles. Show co produced by
the Kunsten FESTIVAL des Arts, Brussels, the Teatro General San Martín and El
Periférico de Objetos. Premier in May, 1998, at the Kunsten FESTIVAL des Arts,
Brussels. Participant show of the Festival d'Avignon (France), Festival
Theaterformen – Hannover (Germany) among others. Show presented in a French
tour organized by Le Rose des Vents and the support of AFFA: Toulouse,
Lyon, Lille, Villeneuve d’Ascq, etc… (1998/2001).
Variaciones
sobre B...
(Variations on B...) by El Periférico de Objetos. Presentations at the
Festival d’Avignon (France) (1999). El
hombre de arena
(The sandman) by El Periférico de Objetos. Presentations at the Festival
Internacional de Teatro (FIT) - Belo Horizonte (Brazil), Festival
d'Avignon (France) and in the Retrospective 1989-1999: El Periférico de
Objetos - Buenos Aires (1998/99). Directs
Unos viajeros se mueren (Some voyagers die) by Daniel Veronese.
Premiered in October, 1999. Re-opened in April, 2000. Directs
the reading of Talem by Sergi Belbel in the frame of the cycle Los
Contemporáneos (The Contemporaries) organized by the Institute
of Ibero-American Cooperation (ICI), Buenos Aires (1999). Proyecto
Brecht.
Premier in November, 1999. Co-production between the Teatro San Martín and
theatre Babilonia, under Alejandro Tantanian’s general co-ordination. Several
artists were invited to participate with different “sketches” based on
Bertolt Brecht’s works. Other artists: Javier Daulte, Ignacio Apolo, Isol,
Federico Zypce, Luciano Suardi, Rafael Spregelburd, Rubén Szuchmacher, Marcelo
Bertuccio, Alicia Leloutre, Alejandra Alzaibar, Pablo Szapiro, Laura Yusem,
among others. This show was opened in the frame of the 10 years of Babilonia
(1999/2000). Directs
JULIA / Una tragedia naturalista; Tantanian’s version of Miss Julie by August Strindberg. Teatro San Martín. Reopened
at the theatre Sarmiento, Complejo Teatral de la Ciudad de Buenos Aires (CTBA)
(2000/2001). Directs Nada más bonito (Nothing more beautiful) by Oliver Bukowski in the frame of a cycle organized by Goethe Institute Buenos Aires New authors by new directors. Collaborators: Edgardo Rudnitzky and Mirta Busnelli. (2001) La Escala Humana. Co-production of Hebbel-Theater Berlin and Complejo Teatral de la ciudad de Buenos Aires (CTBA). Premier in May, 2001 in Callejón theatre. Reopening in February 2002 at Theatre El Portón de Sánchez. Selected for the National Programme of III International Festival of Buenos Aires, September, 2001. La Escala Humana was presented in October / November 2001 at Hebbel-Theater Berlin, Hamburg Schauspielhaus and Festival Iberoamericano de Teatro (FIT), Cádiz, Spain. La escala humana is invited to the 2002 editions of the following Festivals: Caracas, Londrina, Manizales and Festival de Otońo en Madrid. Public reading at Festival Mousson d’Eté, Pont a Mousson, France, August 2002. (2001/2002) Reads, with Marilú Marini, Los fabricantes de tortas (The cake makers) by Alejandro Urdapilleta and presents his musical show with songs by Kurt Weill and Bertolt Brecht (accompanied in piano by Jacques Bouniard) at the 2002 edition of Festival Mousson d’Eté, Pont a Mousson, France, August 2002. Directs and performs de lágrimas (on tears), show of songs with musical direction and arrangements by Pablo Bronzini, Miguel Rausch and Edgardo Rudnitzky, September 2002. Directs Dedos, el musical (Fingers, the musical) by Borja Ortiz of Gondra (book) and Marcelo Moguilevsky (music), premiered in September 2002 at Cunill Cabanellas house of San Martin Theatre with production of the CTBA. Presents in the festival A scčne ouverte (Reims, France) his musical show with songs of Kurt Weill & Bertolt Brecht with Pablo Bronzini (piano). December 2002. Prepares de protesta (on protest), musical show to be opened in 2003 with the same creative team of de lágrimas. |
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E-mail: atantanian@argentores.org.ar Espacio cedido por ARGENTORES |