Cucha
de almas:
|
 |
Honour
Mention. Comedy. Awarded by the Secretaría de Cultura de la Nación,1992. |
|
 |
Playwriting
Municipal Award. Best play of the biennium 1992-93, awarded by Secretaría de Cultura de la Ciudad de Buenos Aires, 1997.
This is the highest prize to be obtained in the city of Buenos Aires
and disables the winner to participate in contests of minor rank
afterwards. |
|
Destino
de dos cosas o de tres:
|
 |
First
National Prize for new writers, Secretaría de Cultura de la Nación,
1992.
|
|
La
tiniebla:
|
 |
Firts
Prize of the Faculty of Psicology of the University of Buenos
Aires, thus folllowed by a coproduction of the Teatro San Martín, 1994. |
|
Dos
personas diferentes dicen hace buen tiempo:
|
 |
Prize
at the Buenos Artes Joven ’94 Biennale, awarded fot the best play,
Buenos Aires City Hall, 1994. |
|
Remanente
de invierno:
|
 |
Argentores ’96
Award, for the best Innovative Dramaturgy, 1996. |
|
 |
Special
Mention at the National Contest of Plays, Secretaría de
Cultura de la Nación, 1995. |
|
 |
Honour
Mention, National Fund for the Arts, 1995.
|
|
 |
Special
Mention, Comisión Encuentro de Escritores Patagónicos, 1994.
|
|
Decadencia:
|
 |
Theatre
of the World Award, for the best theatre translation, IV Congress of
Compared Theatre of the Culture Extension of the University of
Buenos Aires, 1998. |
|
Varios
pares de pies sobre piso de mármol:
|
 |
Nominated
for the Theatre of the World Award for the best adaptation, IV
Congress of Compared Theatre of the Culture Extension of the
University of Buenos Aires, 1998. |
|
Cuadro
de asfixia:
|
 |
Second
Prize at the Dramaturgy Contest, National Fund for the Arts, 1997. |
|
Entretanto
las grandes urbes:
|
 |
Scholarship
for Artistic Production (in the area of Letters and Thought)
to support the writing project of this play, National Fund for the
Arts, 1994. |
|
 |
Third
National Prize. Comedy. Secretaría de
Cultura de la Nación, 2000. |
|
Raspando
la cruz:
|
 |
The
play was chosen for the international translation event “Oltrebabele”
(that took place in Florence, Italy), and where the play was
translated into German, Italian and Dutch. 1997.
|
|
Greek
/ A la griega:
|
 |
Nominated
for the Theatre of the World Award for the best adaptation, V
Congress of Compared Theatre of the Culture Extension of the
University of Buenos Aires, 1999. |
|
La
modestia:
|
 |
GETEA– TEATRO XXI
Award for the Best Dramatic Play by Argentine Author,
1999. |
|
 |
GETEA – TEATRO XXI
Award for the Best Actress (Andrea Garrote), 1999. |
|
 |
Nominated
for the Trinidad Guevara Municipal Award, Secretaría de Cultura de la
Municipalidad de Buenos Aires, 1999. |
|
 |
Nominated
for the María Guerrero Award, 1999. |
|
 | Nominated for the Florencio Sánchez Award, 1999. |
|
 |
Clarín
Newspaper Award for the Best Play by National Author, 1999. |
|
 |
Clarín
Newspaper Award for the Best Original Music (Nicolás Varchausky),
1999. |
 |
Theatre
of the World Award, for the Best Play, VI Congress of Compared
Theatre, University of Buenos Aires, 2000. |
 |
Theatre
of the World Award, for the Best Original Music (Nicolás
Varchausky), VI Congress of Compared Theatre, University of Buenos
Aires, 2000. |
 |
Nomination
for the Theatre of the World Award, for best Direction (Rafael
Spregelburd), VI Congress of Compared Theatre, University of Buenos
Aires, 2000. |
 |
Nomination
for the Theatre of the World Award, for Best Actor (Héctor Díaz),
VI Congress of Compared Theatre, University of Buenos Aires, 2000. |
 |
Nomination
for the Theatre of the World Award, for Best Actress (Andrea
Garrote), VI Congress of Compared Theatre, University of Buenos
Aires, 2000. |
|
 |
Nomination
for the Theatre of the World Award, for Best Set Design (Oria
Puppo), VI Congress of Compared Theatre, University of Buenos Aires,
2000. |
|