Sixties
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Dr. Arturo Frondizi continues being president of the nation , but only for a couple of years more.

Argentina was celebrating the 150º Anniversary of the Mayo Revolution. As part of the festivities, the General Direction of theatre and culture of the ministry of education and justice, organised the First National Show of Independent Theatre at the “Teatro de la Comedia”. Among the best groups, were fourteen from Argentina and three from Uruguay.

“Arco Iris” independent theatre, representing the Capital with the opening of “ Fidela” , Aurelio Ferretti’s play, got the First Award with the direction and setting of GBH.

And also the following awards: Best Music- Norberto Califano; Best Choreography- Paulina Ossona and Amilcar Casetari, ; Best Scenography- Gaston Breyer and Best Wardrobe- Eduardo Fasulo.

When Vittorio Gassman and Jean Vilar visited Argentina, GBH met them personally, being part of the Reception Committee as a member of  the Directive Commission of the Cooperative Union of Independent Theatres. He got in touch with the European theatre.

With a new version of “ Fidela” , he opened the City Hall theatre, “La Ranchería” in the open air where the Santa Fe and Cerrito square used to be.

He got a scholarship to study with Giorgio Strehler, Director of the Piccolo Teatro di Milano.

Professor Horacio Carballal, Nation’s Secretary of Culture named him  Adjunct Adviser. He organised 27 Seminaries in different parts of the country.

GBH created the Comedia de San Pedro ( St. Peter’s Comedy)  and with it, designed the performance of the adaptation of “ Pasión y Muerte de Silverio Leguizamón” (Passion and Death of S L) by Bernardo Canal Feijoo. Having worked together with such a great man of the National Arts, and the impact the play had on the public and specialized press, meant a turning point in his career.

The setting was particularly interesting: 90 artists, including actors, musicians, dancers and singers, in the open air, on the Paraná river.  It was a superb production at that time.

This valuable achievement was crucial and as a reward he got a scholarship to study with Jean Vilar, Director of the TNP, the National Popular Theatre of France.


E-mail: gbenhassan@argentores.org.ar                                                           This place was given by ARGENTORES